Vivaldi's Virgins

"Vivaldi's Virgins" is a daring historical novel set in the 18th century in Vivaldi's Venice. It is the story of Anna Maria Dal Violin, an orphan whose amazing voice and talent mesmerize Vivaldi, known as "The Red Priest", who starts composing just for her.
Anna Maria struggles to find the identity of the mother that abandoned her at Ospedale della Pieta, writing letters to her from the convent, without knowing if she is alive or not. These letters offer us a glimpse into the Venice of the 1700s, with its mysterious people hidden behind masks, cruel nuns, naughty girls who escape from the convent just to go to the opera and who feel enthralled just to ride in a gondola.

“The sky on a clear night is a living, pulsating thing. The stars are like musical notes turned to light, and, like notes, they shimmer and swell and fade and fall. The painters have never captured it—but they never will until some painter teaches his colors to dance.”

If you are interested in knowing if Anna Maria finally discovered who her mother was, then you must read the novel. What is more appealing is the fact that Anna Maria actually existed, and Barbara Quick spent a few weeks in Venice back in 2005 doing research on her. If you want to read more about her experience, go here.
I enjoyed the story quite a lot, since it depicted Venice in a daring way, just as I see it and it also reminded me of Sarah Dunant's "In the Company of the Courtesan", a book I simply loved.

Read for Venice in February Reading Challenge, European Reading Challenge and New Authors Challenge.

P.S. Santa Maria della Pieta is now open to accommodate pilgrims, in case you wish to visit Venice :)

Venice in Black and White

My beautiful, my own
My only Venice-this is breath! Thy breeze
Thine Adrian sea-breeze, how it fans my face!
Thy very winds feel native to my veins,
And cool them into calmness!
~ Lord Byron "The Two Foscari"

Venice Reading Challenge - Invisible Cities

Italo Calvino's "Invisible Cities" is a poetry-in-prose book, a series of descriptions, told by the Venetian traveller Marco Polo to Kublai Khan, the oriental emperor. As Marco travels round the world on the Emperor's business, his job is not to bring back treasure, but stories - the accumulated wealth of his imagination. The book has no plot and no characters, except for the two mentioned above and the described cities, all named after women - Raissa, Irene, Valdarda, Phyillis, Chloe...



"In Chloe, a great city, the people who move through the street are all strangers. At each encounter they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no-one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping."

Even though Khan insists, Polo never talks about his own city, Venice. He only talks about strange, magical, invisible cities that nobody else ever saw. And yet, Khan cannot avoid the feeling that by telling him about those nonexistent places, Polo does describe, bit by bit, the city they both really think of.The book consists of fifty-five extremely short city descriptions, embedded within an intellectual duel between Polo and Khan.

"From there, after six days and seven nights, you arrive at Zobeide, the white city, well exposed to the moon, with streets wound about themselves as in a skein. They tell this tale of its foundation: men of various nations had an identical dream. They saw a woman running at night through an unknown city; she was seen from behind, with long hair, and she was naked. They dreamed of pursuing her. As they twisted and turned, each of them lost her. After the dream they set out in search of that city; they never found it, but they found one another; they decided to build a city like the one in the dream. In laying out the streets, each followed the course of his pursuit; at the spot where they had lost the fugitive's trail, they arranged spaces and walls differently from the dream, so she would be unable to escape again."



Is this the mysterious Venice, the city that unravels itself according to its viewers or just an imaginary city? Those who have been to Venice know that it is a city you can so easily build for yourself, at your own pace and imagination; it is unlike any other city or unlike any other impression someone might have on it. And yet, no matter how you see it, it is the city that best combines art and life. Your life with the art you've chosen for yourself.

“When you have arrived at Phyllis, you rejoice in observing all the bridges over the canals, each different from the others: cambered, covered, on pillars, on barges, suspended, with tracery balustrades. And what a variety of windows looks down on the streets: mullioned, Moorish, lancet, pointed, surmounted by lunettes or stained-glass roses; how many kinds of pavement cover the ground: cobbles, slabs, gavel, blue and white tiles. At every point the city offers surprises to your view:
a caper bush jutting from the fortress’ walls, the statues of three queens on corbels, an onion dome with three smaller onions threaded on the spire. “Happy the man who has Phyllis before his eyes each day and who never ceases seeing the things it contains,” you cry, with regret at having to leave the city when you can barely graze it with your glance.”

Read for the Venice in February Reading Challenge.

Venetian Masks - Bauta

The Bauta is to be considered the traditional Venitian mask, the one mostly used to cover your features, made in a way that it is still possible to eat and drink without having to take it off. The Bauta is always black, white or gilded, and it is not only a Carnival mask, in the sense that centuries ago it was also used to protect one's identity in different circumstances. It was mandatory all year long for women who went to the theater and forbidden to girls waiting to be married.



The name bauta may come from the German "behüten"(to protect), as well as from "bau" (or "babau"), typical Italian representation of the monster, or bad beast, used by adults to scare children.

The Bauta mask formed part of an entire outfit. This outfit consisted of a Tabbarro which was a veil or a small cloak starting at the neck and covering the shoulders and a tricorn hat. From this the mask protruded to give complete anonymity.

In 18th century, the Bauta had become a standardized society mask and disguise regulated by the Venetian government.It was obligatory to wear it at certain political decision-making events when all citizens were required to act anonymously.

Venice Reading Challenge - The Passion

There is no better combination than to read your favorite author while reading for a challenge involving Venice! Does it matter that it is my fourth read of The Passion, by Jeanette Winterson? Not at all. :)


I first read this enchanting novel more than ten years ago and it is still in my top five favorite books. You may surely wonder what is so special about it? Here's a short list:

~ Jeanette's style is incomparable to any other author, dead or alive;
“Perhaps all romance is like that; not a contract between equal parties but an explosion of dreams and desires that can find no outlet in everyday life. Only a drama will do and while the fireworks last the sky is a different colour.”

~ the (love)story that gradually unravels between Henri, Napoleon's cook and Villanelle, the mysterious Venetian:
“In that house, you will find my heart. You must break in, Henri, and get it back for me.'Was she mad? We had been talking figuratively. Her heart was in her body like mine. I tried to explain this to her, but she took my hand and put it against her chest.
Feel for yourself.”

~ the key phrases will follow you long after you finish reading the book and you may find yourself quoting them now and then.
"I'm telling you stories. Trust me."
"You play, you win, you play, you lose. You play. It’s the playing that’s irresistible. What you risk reveals what you value."



~ Venice, described as the "city of mazes", where one can lose one's way, where nothing is certain and everything is unfolding into another thing:
"This is the city of mazes. You may set off from the same place to the same place every day and never go by the same route. If you do so, it will be by mistake. Your bloodhound nose will not serve you here. Your course in compass reading will fail you. Your confident instructions to passers-by will send them to squares they have never heard of, over canals not listed in the notes."

~ magic realism, which gives you the feeling that one day you could live (in) this fairy tale yourself: "Rumour has it that the inhabitants of this city walk on water. That, more bizarre still, their feet are webbed. Not all feet, but the feet of the boatmen whose trade is hereditary."

~ the switch in narrative voice which, if you are not careful, can make you lose yourself between the lines, just like you might lose your way on the small streets of Venice;

~ crossing boundaries and transgression: Villanelle can be as mysterious and provoking as Venice itself.

~ in short,it's a book about loving so/too much: “Whoever it is you fall in love with for the first time, not just love but be in love with, is the one who will always make you angry, the one you can't be logical about.”

Venice will taste, feel and smell even better after you've read The Passion!

Read for the Venice Challenge and the European Reading Challenge

Venitian Masks

It's carnival time in Venice and since we are not there showing off our expensive costumes, we'd better lean a few things about the different masks that appear during Carnevale.

Venetian masks have a long history of protecting their wearer's identity during promiscuous or decadent activities. Made for centuries in Venice, these distinctive masks were formed from papier-mâché and wildly decorated with fur, fabric, gems, or ribbons. Eventually, Venetian masks re-emerged as the emblem of the Carnival.



After the 1100s, the masquerade went through periods of being outlawed by the Catholic Church, especially during holy days. Their policy lead to eventual acceptance when they declared the months between Christmas and Shrove Tuesday free for Venetian mask-attired decadence. This period evolved into Carnival, the pre-Lent celebration meaning "remove meat." Although Carnival lost popularity as Venice's cultural production faltered during the Enlightenment, it was officially reintroduced in 1979.

Drop by soon to discover the types of masks and their meaning :)
Click here or here if you are interested in buying a handmade mask.

Venice - A Unique Mystery

“If you read a lot, nothing is as great as you've imagined. Venice is... Venice is better.” (Fran Lebowitz)

VENICE IN FEBRUARY IS HERE!

The amazing reading challenge that I am hosting together with DolceBellezza is finally here and my, the number of books to be enjoyed is so high I had trouble deciding what to read in one of the busiest months of the year, it seems. BUT, struggle aside, I finally decided on four books, hoping to be able to read them all this month. Here they are:


And since Venice is more than the background for an enthralling plot, it is a mystery in itself, this month there will be plenty of posts dedicated to the ever so fascinating SERENISSIMA, so feel free to drop by anytime and don't forget that it's incredibly easy to join us: just read at least one book set in Venice. You can link your participation here.

P.S. Re-reads count, as I am going to read The Passion for the fourth time :)